Con brio ~ Spirited, a prompt

Music and Poetry, close relatives, if not siblings, share so much. Both rest in the hands and hearts of humans in numerous kinds of relationships. They are both scores at times, as Music is written and Poetry is written and then both are expressed or 'read' from those scores such that Original Breath of their Emergence may be again tasted. 

This prompt is an invitation to explore ways of notating your poetry score such that your score has the benefit of noted tempo (timing), dynamics (loudness), emotionality (quality of feeling) for the reader and for the possible speaker of your written word.

Here's some direction, if you wish: look up some the musical terms on the Wikipedia sites (see below) to stir inspiration in whatever way you'd like your 'musicality' to be expressed in your poetry. There was a time when composers only had their notations to convey all the other aspects of their music than simply the notes on the page.

A page of the heart-shaped manuscript by Baude Cordier, showing a rhythmically complex piece of ars subtilior.        ~ Notes from Wikipedia: "Coloration of single notes could also be used to override rules of perfection/imperfection that would otherwise have been called for. The use of red notation flourished in the so-called ars subtilior. Perhaps the most famous example is a heart shaped manuscript by Baude Cordier, which uses the notation for its symbolic effect to set down a line of music all in red within the larger heart."

http://en.wikipedia.org/wiki/Tempo

http://en.wikipedia.org/wiki/Dynamics_%28music%29

Or the more general Glossary of musical terminology

http://en.wikipedia.org/wiki/Affettuoso#A