Thursday, October 13, 2011

MRE (meal ready to eat)


Collapsing



stomach

on itself



impatient for results



What will become

of lunch



when supply chains



if they

when it



Thursday’s layoffs



I’ll buy

more 15-year



ready-to-eats



2026

they’ll expire



by then we may know



Wednesday, October 12, 2011

On shooting insulin before you can eat (or five prompts for dinner)

Unzip the test kit. Uncap the test strip holder. Take a test strip out of the plastic cylindrical holder. Take out the pricker unit. Set the trigger. Lightly press the pricker on the finger tip with the least purple pinpricks. Release the trigger. Ouch. Tiny needle pierces your finger tip. Flinch Your red blood flows Slide your finger along the edge of the test strip so your blood collects on the strip. Use other hand to close tissue over the bleeding finger and press. Watch the meter for the number that is never good enough. Take the shooter insulin pen out of the pouch and key in the dose 16mg. for a higher carb meal (yes noodles yum). Screw in the needle point and press it against belly, push needle into soft stomach tissues. Press with constant pressure the protruding knob dial until dose has been administered. Pull the needle out. Yeah now I get to eat. (all this is actually in real life sped up real automatic and fast because who wants to wait to eat food.)

Monday, October 10, 2011

IMUNURI prompt: spiels on meals


For this week's prompt, try a thought experiment around creative writing and eating. You could
  • Try drafting a poem while hungry, before you eat a meal.
  • Try drafting a poem immediately after a satisfying meal
  • Skip a meal and write a poem
  • Try more than one of these and juxtapose the poems, or weave them together somehow.

labels: eating, poem, your name

by David Fleischmann

Saturday, October 8, 2011

I've got so much blue light

I've got so much blue light

I’ve got so much blue light
for the rain to fall through
  that my insides feel like they’re outside
  & not quite right
naked sinew sinker tight.

I’ve got so little summer left to shine
  through the fog
    that my pores feel closed & tight
shut down unable to alight
bare bone finger bite.

I’ve got so much straw left to rot
   in the fields
     that each singular haystack
yellowy black motionless pile
 of my skinless plight
has no sand on the beach  
nude ligament empty fight.

I've got so many chickens on Main Street

I’ve got so many chickens on Main Street

I’ve got so many chickens on Main Street
that the commercial neighbors can complain.
But realize folks, I do not keep roosters & their straw is fresh & clean.
They’ll eat the organic restaurant scraps left by people on their plates
& my chickens will not keep the 9 to 5ers up late.
They close their eyes when the sun sets over Half Moon Bay
& awake plenty early to make your breakfast eggs.

Friday, October 7, 2011

mmmm.....

I’ve so many

good wishes from

fortune cookies

saved in my home,

you’d think to see


diamonds and plums

in Chihuly

bowls in each room.

Reality?

Bowls by Ari


fill with pennies

and small apples

from our own tree.

Fortune’s simple

sugary crumbs


fill my temple.

My luck’s ample.

Wednesday, October 5, 2011

Learning the Drill

Adults always tried to peer into our heads,
tinker with what went on in there,
control our tongues. Only one of them ever could.

We had to see Him regularly. For our own good.


We went unwillingly, quivering in the car,
to a house that was more than a house
in a neighborhood nicer than ours.

The side entrance was guarded by a woman in white.


Surrounded by faded Highlights and expired Time,
we waited in despair, dreading our turn in that oversized chair.

The lobby stunk of formaldehyde and the tiny flecks of bone
that He scraped off people’s skulls.


First some stranger’s kid went in, then a trembling sibling.

They’d come out pale, shoulders tense, faces strangely drooping.

Most were silent as they emerged, which was less distressing
than the gas and gabble of those who spoke.


Mother made odd promises: milkshakes to the docile.

At home, we were too big for these childish bribes,
but here in His harsh light – eyes pressed shut, fingers twitching –
we clutched stuffed talismen no longer needed in the dark.


For parents desperate to decipher the content of crania,
X-rays were not enough.

He pried open our jaws and slid in a mirror,
then played a tune on the edge of our molars.


The shrill music of metal against mandible
echoed insanely from within our ears.

We cried out, but it did no good.

We cried out. It was for our own good.


And it was. They were right, of course.

We chew, true, to this day. We even learned to floss.

And, while He never did extract the truth,
no priest at confession ever came so close to our secrets.

Monday, October 3, 2011

(the great cycle:) the same things that make me whole will make me dead


they say the stars of all the constellations
when compressed onto the body
become the chinese medicine points and meridians.


so i walk with galaxies under my skin -
and i've already been told
dinosaurs in my brain and bridges between.


every construct and metaphor, ever leaf and twig,
snout and slime mold, cloud and fever
clings to the depth of my fibriles and forms.


i've got so much life in me, if i grin
the songs of creation leak out, a small
glamour of sculptor and reaper

whisps into flight on sound waves
of delight and dread. the same things
that bring us death make us whole.

the same things that make me whole will make me dead.


today, cedar boughs (my lungs) heavy with cones (breath),
the wind of what-has-made-me (the thrillion conversations,
with young deer and neighbor, magnolia and moth),

like a galactic zephyr, roll through my blood
and start me thrumming. a tuning fork
for stars unseen and seen, i start glowing and know

what brings us death will make me whole.
the same things that make me whole will make me dead.
which leads me to believe: this poem will never
end.



October 3, 2011

Image credit - thanks to Anonymous and their free fractal desktop image

Sunday, October 2, 2011

IMUNURI prompt: muchness

(C) 2002-2011 Michele Pred
so much 
paperwork.
admiration.  
tangled string.
boundary.


For this week's prompt,
complete the phrase  
"I’ve got so much ____." 

Make this the topic and/or the title of your poem.


Alternative 1:  Start with the phrase, "I've got too much ____."

Alternative 2:  Substitute many for much.


Tags: poem, muchness, [your handle]

Saturday, September 24, 2011

I (earth)

I (earth)

I (earth) sit on my deck under my sun
& hear sounds of children on the playground yelling, shrieking and bellowing
crows sound from above squawking
autumnal train whistles resound
my sun warms me, soft September breezes brush my skin with the moment’s liquid butter filming

“Accept the things,”  I (earth) cannot change
 My orbit
 My people
 Population growth
 My sun
 All things water
 All things fire
 All things air

Grant me (earth) the courage to “change the things I can”
My belief
  in my power over the universe
  in my everlasting existence
My resentment
  of my dependence on the sun to sustain life on my terms
  of  water/fire and air that do as they please
  of the overwhelming weight of gravity

& “the wisdom to know the difference”
between heaven and earth
amen
  

Friday, September 23, 2011

Poetry DNA Retina, or "all like earth"


All the poems for the past three years, all the words, 36 thousand 5 hundred and 39 plus of them, each one an eyeball of time, a species of momentary flashdrive on the retina of the heart of the world, form an all-seeing eye, for which EARTH is the pupil, the black hole of knowing and from which i can see everything clearly now

these are the refrigerator magnets of my perception and locution...

****

all like earth
a meta-poem

long time moon
body open
night rain making
healing rock | old life
long time moon
days again moon words
river space | hands dance
cloud take light
now come, like life

like through the heart,
one space more for
dark, kind, world poems:
people's bodies need the moon.

dream | poem | breath | fire
water knowing | wind sense
now walk, come cloud
the small blue year
(first full song before ocean)
(take light heart, air)
the small blue year
KNOWS
ALL ABOUT
something between creation:
LIKE LIFE THROUGH EARTH


****

put your poems together and see your world... e.g. www.worditout.com or another recommended of the many word cloud generators

From eyeball earth

"From eyeball earth"

--After Gertrude Stein


The trouble in both eyes
does not come from
the same symmetrical carpet,
it comes from there being no more
disturbance than in
little paper.


one FIELD is the over-arch
of dark endless-out sky,
all to all going out to dark lighting
onward there, just there,
nothing else but everything

one OBJECT is ground,
a ground,
self-thing,
created thing,
flat pavement, runway,
machine,
moving machine,
distant whirling of
light machines

one LAYER is reflective
bounce of light on air,
masking both
field and object:
someone approaches--their image
in light traces on glass,
words on a sign
HTOUM OTAMOT YHW
some mechanical shadow of
a mechanism

and then there's
one other SOMETHING...

an aspect I can't sense to name--
the witnessing-ness
the earthing thing,
the hold that releases this,
some kind of verb,
some kind of numberless



Tuesday, September 20, 2011

Prompt: Earth Eye, Globe-Eye, World Vision

What if our eyes are small globes, the earth holographically embedded in our eyes? Write as if you are seeing through the point of view of the Earth inside. Your eye is the globe, what do you see? What is the vision of Earth?


Tags: globe-eye, poem, [poet's handle]


Image unattributed from http://www.lettheglobeknow.com/Globe-Eyes.html

Tuesday, September 13, 2011

IMUNURI prompt: exlamations

Create and post something that contains exactly three exclamation points.


Keywords: poem, exclamation, your name

Friday, September 9, 2011

gravity is a form of love/the heart dentist

i. bird song and planet spin

down the long rills and funnels of bird song
into the headblasting wind of the new day
as the earth furls and twists
her daily spin.

here, in these parts, i don't know the songs
of these birds. their sudden pats and thrills:
how they wake me, as if i'm on the wrong planet.
some of them seem to be complaining.

others startle the whole sky with lyric.
i point my head east and feel the wind of how
we are turning in the galaxy in a slow whinnying
corral of sun spinning. gravity is a form of love.

ii. the heart dentist

extraction, dental or of the heart variety,
is best done quickly. some people find pain comforting.
i hope you can't see the gaping hole
in my chest

left by the heart dentist, how come they were
all out of anaesthesia when you started dying
quicker than we all are? is your planet spinning
faster now, in a diminishing gyre,
a downward
descent
to
final
fusion?

Monday, September 5, 2011

Prompt: After The Dentist

Watch (or rewatch) this viral video.


David After Dentist


With what you see, hear and feel
as your starting point,

write something.


keywords: poem, dentist, [your handle]

Tuesday, August 23, 2011

spark 2 - present state

spark 2 - present state
i believe in motorscooter cellular youth
working hot Yogyakarta daily prayers
into this 2-cycle engine stroking present state.
reproducing & multiplying
dressed in bright yellow,& oranges & pinks of Java modern.
“it works”
so with respect i gave up milk in my coffee for this Ramadan.

i now drink the naked taste of african & arabian mocha beans brewed together,
unfiltered, fresh, top & bottom fuzzy blanketed softness.
our skins teasing bare senses out of my foggy hibernation
into visions of rock hard Osiris in Abydos.
“very strong”
hearing blues coming from behind the curtain
not missing the cream
“working it”

Wednesday, August 10, 2011

Sugar Streams from Her Fingers


bows to Marie Elena Good, Marna Cosmos, Philip Levine and others…


In Safeway’s industrial kitchen, she

dips her latex-covered fingers into

warm glaze; then, thinking of his stubborn F

grades, moves her hand like magician gestures

over the coffee cakes. Principal Dowd,

you’re not being fair. Robbie, you’re killing

every chance you have. The grocery driver

can’t stop ricocheting between Shirley’s

ultimatum and himself—who is who

he is, like Popeye, damn it. The women

and men go with their urges piled on top

like whipped cream spires. Everything they touch

comes away sticky and faintly sweeter.

When the man with his lonely hunger bites

what her glazed fingers spellbound, may he taste

the soft center between today’s meetings

and the woman who disposes her gloves,

punches out and drives home to the escape

of daytime TV. Holy Creator,

let our tongues school like fish and find blessing

in the joined continuation of our

living substance simply carrying on.

Everything Is All One Cake.





This form is called Poesia de Tema, developed by Marie Elena Good.

Read about it here: http://poeticbloomings2.wordpress.com/

Monday, August 8, 2011

Prompt: poems making a difference - SPARK 2

For your poeming this week, take this quote and/or this image as inspiration. 



"But then there is all this other stuff going on -- which is wilder, which is bristling; it's juicier, it's everything that you would want. And it's not comfortable. That's the kind of poetry that interests me -- a field of energy. It's intellectual and moral and political and sexual and sensual -- all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.

"Poetry can add its grain to an accumulation of consciousness against the idea that there is no alternative -- that we're now just in the great flow of capitalism and it can never be any different -- [that] this is human destiny, this is human nature. A poem can add its grain to all the other grains and that is, I think, a rather important thing to do."

--Adrienne Rich, From an interview with the Boston Phoenix

Image from the energy off the tip of a person who has just grounded